2014 Indigestible

IPEP India 2014 Indigestible logo

IPEP India 2013 Untitled, 2014 Indigestible, 2015 FEAR.Horror.Terror – Combined Catalogue .pdf, 8.5MB


DELISH

masticating time
between the hollows
of my mouth
i surrender myself
to
the sap of our loving.
i nibble spaces
(they pop)
i peck at memories
(they sizzle and pass on)
who says food feeds us?

The circuitous routes and reasons for ingesting, rejecting and lusting after food are many. Food and relationships may have a discontinuous link but there exists an underlying harmony between the two, nevertheless.
Food fashions us just as clothes, music, books and friends do. In reality, it is not always we who choose food ~ more often than not, it is food that chooses us. This is so, because of prevailing socio-economic, cultural and even religious factors (“religious” when it pertains to, say, vegetarianism not because of dietary preference but because religion deems so).

Food is an anthem. It culls out our most passionate romances with life, remembrance and rejuvenation. It is replete with colour, texture, aroma, and substance. You may savour, sip, nibble, swallow or masticate food or for that matter, life itself. The bouquet of tantalising aromas is present even in our humdrum lives; in order to arouse its full potential, we only need to pause occasionally and to submerge ourselves within the caucus of Food
legislators! With food, however, there are hardly any rules. And absolutely no limits. It is a pity that, as with other phenomena of life, post contemporary times have reduced food too, into a cliche. But sphinx-like, it raises its magnificent head again and again through the forests of time, refusing to be denigrated by suffocating definitions. Food, in the final analysis, is hardly about ingredients or component parts or elements of culinary practice; it is, in fact, a levelling ground, a porous field wherein men and women, poets and madmen, rhythm and blues, forks and knives mutate in order to emerge whole.

After all, breaking bread with those we love, is by no means, a trivial act.

– Anahite Contractor
(‘Delish’ © 2014)


Rajesh Pullarwar, India
CURATOR
Rajesh Pullarwar
Artist Printmaker,
India.
Anahite Contractor, India
WRITER
Anahite Contractor
Art Critic, Writer, Poet,
India.


PARTICIPANTS

UKRAINE
Maryana Myroshnychenko

AUSTRALIA
Kay Watanabe

INDIA
Aditi Pande
Chhering Negi
Nayan Kalita
Prapti Chavanke
Rajesh Pullarwar
Yogesh Aadkine

PORTUGAL
Jorge Bacelar
USA
Paul Valadez
Reynaldo Santiago

ITALY
Silvia Sala
Mimma Maspoli
Babiscia Barbara Fallini

SPAIN
Martha Castellanos
Montserrat Ansótegui
Sergio Aragon



EXHIBITIONS

2014, 17 October; Print Workshop – Brisbane, Australia.
Organised by Kay Watanabe

2014, 11 – 15 November; Sir J.J. School of Art, Mumbai, MH, India.
Organised by Rajesh Pullarwar.

2014, 25 November – 14 December; Calisto Cafe, Vailate CR, Italy.
Organised by Silvia Sala.

2014, 05 – 08 December; Arte en el Bosque, Montseny Natural Park, Catalonia, Spain.
Organised by Martha Castellanos.

2014, 11 December – 15 February; Cercle Reïal Artìstic de Barcelona, Spain.
Organised by Martha Castellanos.

2014, 01 – 31 December; San Antón 12 Art Space, Logroño-La Rioja, Spain.
Organised by Montserrat Ansótegui.

2015, 16 January – 13 February; Oficine ON/ OFF, Parma PR, Italy.
Organised by Babiscia Barbara Fallini.

2015, 11 – 16 August; Three Years of IPEP India, Bihar Lalit Kala Akademy, Patna, BR, India.
Organised by Sanjay Kumar, Rajesh Pullarwar.

2015, 21 October – 15 November; Centro Joaquín Roncal CAI, Zaragoza, Spain.
Organised by Sergio Aragon.

2017, 03 – 31 March; MacAllen Creative Incubator, Texas, USA.
Organised by Reynaldo Santiago.

2018, 16 – 18 January; Five Years of IPEP India, Art gallery, State Univ. Of Performing and Visual Arts, Rohtak, HR, India.
Organised by Deepak Sinkar, Nandini Pantawane, Pallavi Mool.

2018, 15 – 18 February; Five Years of IPEP India, Govt. College of Art and Design, Nagpur, MH, India.
Organised by Chandrashekhar Waghmare, Abhishek Chourasia, Pallavi Mool, Chandrashekhar Tandekar, Milind Atkale, Nandini Pantawane, Yogesh Aadkine.